「親愛的各位，問候你們。我是磁性服務的克里昂。
哦，我們確實來到人面獅身像（Sphinx）面前了。你們有些人正感受到這股能量。我稍後會討論這點，但現在我想繼續關於邁入新能量的課程。有些關於邁入新能量的事與你所想的完全無關，而有些則息息相關。我們接下來要說的話可能會讓你感到驚訝。
我們告訴過你，你不能帶著舊能量進入新能量並期待它能奏效，這是不言而喻的。在開始時我們談過『期望』，現在我們要談談另一個概念，聽起來很像，但它被稱為『假設』（Assumptions）。不要預設任何立場，然而你們卻總是在這麼做。你們所有人都在假設，因為你們忍不住——那是你們習以為常的模式。
你假設事物會如此，是因為它們以前總是那個樣子。接著你進入新能量，帶著舊有的假設，卻發現行不通了。我所謂的行不通，是指我們提過的那些：吸引力法則、以及用良善意圖開闢道路的意識努力。只要你帶著預設的假設，這些都無法運作。
在我們抵達人面獅身像之前，先來聊聊一些假設。這裡就有一個：你來到埃及這片土地，你是個新手。你可能來自西方的大城市，看到每個人都在互相按喇叭，於是你想：『他們一定都在生對方的氣。看這混亂，我不想待在這條路上。他們都瘋了，到處都是路怒症，因為他們一直在按喇叭！嗶！嗶！』
這就是一個假設，不是嗎？直到你融入這個文化與社會，你才會意識到，雖然看起來是有組織的混亂，但你能聽出喇叭聲的不同。短促的聲音代表『我在這裡』；另一聲短促的聲音代表『謝謝你，我看到你了』。這聲音持續不斷，是因為路上通常沒有標線，所以他們總是藉此告訴對方自己的位置：『我在這，我在這』。但要小心長鳴的喇叭聲——那才代表他們生氣了。你以前知道嗎？這就是假設。
你看見兩位開羅市民在街上爭論，你感到害怕。他們在大聲叫嚷，顯然非常憤怒。一個人湊近另一個人，對著臉大吼並揮舞手勢。就在你打算報警時，他們卻擁抱在一起大笑。那是因為他們剛才在討價還價。這就是文化，他們把談判演得像一齣戲；有些人是在扮演某種角色，而且玩得很開心，但你卻差點報了警。
你是否看見了，從一種文化到另一種文化的預設假設，會讓你陷入困境？想想看從一種『能量』到另一種『能量』的假設。這個星球上的舊能量已經存在了億萬年，你已經習慣了各種預設。你不能將這些慣性帶入『提升能量』，甚至是它的開端。不要預設任何立場。
讓我給你一個更深奧的例子。在玻利維亞有一個非常古老的遺址，叫做蒂亞瓦納科（Tiwanaku）。它是世界上最高的考古遺址之一，海拔超過 12,000 英尺。我的夥伴（李·卡羅）曾去過那裡，當時他們剛挖掘出一些發現。那是來自另一種文化的考古學家，因為玻利維亞人可能還不具備其他文化那樣的精湛技術與教育。請注意，這又是另一種文化在調查一個不屬於他們的文化。
他們挖下去，發現了非常有趣的物件。這些物件在同一個區域內，彼此僅距數公尺。有一個看起來來自亞洲——這很有趣，意味著什麼？另一個看起來來自埃及——這又意味著什麼？
於是，基於這些預設假設所得出的結論，很可能會改變他們的歷史書。那假設就是：那裡曾有某種市集在販售商品，因此那裡就是與日本、中國、埃及等地進行貿易的證據，因為那些物件是在那裡發現的。
讓我告訴你他們錯過了什麼。我在挖掘現場透過傳導與我的夥伴交談，他還記得這件事。他們完全沒有給予古玻利維亞人任何在工藝、優雅或智慧上的讚賞。他們挖掘出的其實是一座博物館。古玻利維亞人擁有博物館，因為那是一個真正理解並尊重遠方古人的文明。他們曾接待過來自遠方的訪客，展示各種事物，並收藏了這些物件。它們不屬於這片土地，也不是在市集交易的商品，而是作為博物館的藏品被展示。
當時的假設是什麼？是古人不夠聰明，或是古人一點也不優雅，因為現代人擁有一切，而古人就只是有點笨。請不要預設任何立場。
你現在正坐在或許是星球上最古老雕塑的腳下。人面獅身像到底有多老？沒有確切答案，沒人知道。但當你開始觀察它，會發現有些奇異之處，我想告訴你，好讓你明白什麼是在這裡的，而什麼不是。
在埃及有成千上萬尊人面獅身像：小的、中型的，你能輕易看出它的樣版。如果你看幾百年前剛從沙土中出土的人面獅身像照片，你會發現非常詭異的事：頭部與身體的顏色不同。這顯示頭部曾被更換過。我在此告訴你，沒錯，它被換過。而且不是由最初的雕刻家更換的，而是由法老、掌權者或最初發現它的貴族更換的，他們想把自己的頭刻上去。
你現在看到、且多年來一直讚嘆『這太美了，不是嗎？』的這顆頭，甚至不是原本的那顆。它稍微大了一點，顏色也曾不同。接著，你可能聽過秘教界流傳的故事：側面有一扇秘密之門。沒錯，側面確實有一扇門，但它被遮蓋住了，它並非秘密。它曾被打開過許多次，是為了加固人面獅身像的內部，因為內部曾一度坍塌。
還有個故事說頭頂有一扇秘密之門。那裡確實有一扇門，但也不是秘密，那是為了加固並重建頭部，以免它坍塌掉落。這個物件經歷了如此多的修繕，這個古老且神祕的物件，幾乎沒有多少原貌留存下來。如果說有什麼秘教式的秘密埋在下方或周圍，那也是『多維度』的。因為所有三維空間都已經過技術勘測，這裡沒有隱藏任何三維的東西。
那麼，為什麼這裡會有如此強大的能量？為什麼它能吸引這麼多人想來到這裡、觸摸它、觀看它並與它合影？我告訴你，這是一件你從未想過的事。不要在這裡預設你認為它神祕的原因——它不是太空船。它代表了一個全新覺醒社會的開端。
這是他們擁有的最古老遺物，代表了那些相信來世、相信拉（Ra）——也就是你們所理解的『造物主』——的人們的開端。那正是你們今天所理解的造物主。這代表了這一切的起源。這就是為什麼你在這裡看著這件真正令人驚嘆的事物，它是開端，它超越時代，沒人知道它究竟有多老。
這裡曾有過水，沒人知道這點。噢，有一些證據。尼羅河曾更靠近這裡。如果你那時也在場，一切都會與現在不同。但就神祕感而言，我告訴你，唯一神祕的是『你為什麼認為它神祕』。它是強大的！它是驚人的！它是非凡的！它所代表的意義無比珍貴。如果你是一個能感受到能量的人，這就是你來到這裡的原因——為了向 5200 年前文明的開端致敬。在宇宙的尺度、分點進動的週期中，這一切都準時發生且符合預期。
你們正坐在同樣的轉捩點上。你們即將建造什麼，讓未來的人們在某天發現？如果它完全不是物理性的呢？如果它與一個充滿慈悲心的政府——人類史上首創的政府有關呢？如果它不只是這些呢？如果是能養活全人類的發明呢？這一切都在未來幾年這個星球的願景中。你來到這裡，是為了慶祝你所看見的第一個開端，並在第二個開端啟動時，參與其中。
這就是我想告訴你們的。就是如此。」
Kryon: Make No Assumptions in the New Energy
Channel: Lee Carroll | Source
Greetings, Dear Ones, I am Kryon of Magnetic Service.
Oh, here we are at the Sphinx indeed. Some of you are feeling the energy. I’ll discuss that in a moment, but I’d like to continue some of the lessons that I have been giving about moving into the new energy. Some of the things about moving into the new energy have nothing to do with what you think and some do. It may surprise you what we’re saying.
We told you, you cannot take old energy into that which is new energy and then expect it to work. That should be obvious. We told you about expectations when we started, and now we are going to speak of another one. It sounds similar, but it’s called assumptions. Make no assumptions, and yet you do. All of you do because you can’t help it. This is where you come from.
You assume things because they’re always the same way. And then you go into a new energy and you carry the assumptions of the old and it won’t work. And what I mean it won’t work, I mean the things that we spoke of: the second, the laws of attraction, the consciousness effort to pave your path with good intentions. They’re not going to work either as long as you carry assumptions.
Let’s talk about some assumptions before we even get to the Sphinx here. Here is one. You come to this land of Egypt. You’re new. You come from perhaps a big city in the West and you see that everyone is honking at everyone, and you think, “They’re all mad at each other. Look at this. I don’t want to be on this road. They’re all crazed and there’s road rage everywhere. I can tell because they’re all honking at each other. Honk! Honk!”
That’s an assumption is it not, until you move into the culture, the society and you realize that although it may look like organized chaos, you hear the differences in the beeps. Short ones mean, “I’m here.” Another short one around you means, “Thank you. I see you.” And it’s constant because there are often no lines on the road, and so they’re always telling each other where they are. “Here I am. Here I am,” short beeps, short beeps. Beware of the long ones – then they’re mad. Did you know that? That’s an assumption.
You see two of the citizens of Cairo and you see them in discussion on the street and you’re afraid. They’re yelling at each other. They are. They’re angry obviously. One is getting right up to the next one, right in his face and yelling things, gesturing. You’re about to call the police when they hug each other and they all laugh. That’s because they’ve been negotiating. This is the culture. They play out the negotiations. Some of them play a role. Some of them are acting out a part, and they’re having fun, but you almost called the police.
Do you see where the assumptions from one culture to another may get you then in trouble? Think about the assumptions of one energy to another. An old energy of the planet that’s been here for eons and eons, and you just assume this and that and that. You cannot then carry that into an ascended energy or even the beginning of one. Make no assumptions.
Let me give you a more profound one. There is a very ancient you might say dig. It’s an archeological dig in Bolivia called Tewan’eko/Teuaneco. It’s one of the highest archeological digs in the world, over 12,000 feet. My partner was there and they had recently made some discoveries when they dug into the dirt and the archeologists were there from another culture because the Bolivians do not yet have the finesse perhaps and the education that they do from other cultures. Beware. You now have another culture investigating the one that they don’t belong to.
And they dug down and they found very, very interesting objects. And the objects were like within the same area of each other, meters from each other. There was one that seemed to be from Asia. Now that’s interesting. What does that mean? There was another one that seemed to be from Egypt. What does that mean?
So the assumptions carried out may very well change their history books. And here is the assumption: That there was some kind of marketplace there where they were selling things and their wares, and indeed there was evidence then therefore of trade with Japan, China, Egypt, and all of those places because those objects were found there.
Let me tell you what they missed. I spoke to my partner in channel on the dirt where this took place, and he remembers it. They did not give the Bolivian ancients any credit for finesse, any credit for elegance, any credit for intelligence. What they had dug into was a museum. They had a museum because they had a culture that honestly understood and respected the ancients from afar. And they had had some come through from distant lands and show them this and that, and they had found this and that. It didn’t belong to the land. It wasn’t in a marketplace. It was displayed as museum.
What was the assumption? That the ancients weren’t very bright or that the ancients had no elegance at all, because in modern times, you have it all and in ancient times, they’re just a little dumb. Make no assumptions.
You sit at the feet literally of perhaps the oldest sculpture on the planet. How old is the Sphinx? There is no true answer. They don’t know. But when you start looking at it, there are some things that are odd and I wanted to tell you about it so that you understand what is here and what is not.
In Egypt, there are thousands of sphinxes: small ones, medium-sized ones, so you can easily see the template of a sphinx. If you look at some of the first pictures of the Sphinx being uncovered from the sand hundreds of years ago, you’re going to see something very odd. The head is a different color than the body, indicating perhaps the head was changed. I’m here to tell you it was. And it wasn’t by the original sculptor. It was by those for instance the pharaohs or the ones in charge or the noble people who uncovered it first and wanted their head on it, and they put it on it.
It may not even have the head now that you see and have seen for years and say, “This is wonderful, isn’t it?” Not even the right head.” It’s a little large. It used to be a different color. And then the stories begin that you’ve heard perhaps in the esoterics. There is a secret door in the side. There is a door on the side. It’s been covered up. It’s not a secret. It’s been opened many times in order to reinforce the inside of the Sphinx which actually collapsed at one time.
There’s another story that there’s a secret door on the top of the head. There is a door there. It’s not a secret. It’s to reinforce and rebuild the head so it didn’t collapse and fall off. There is so much work that has been done on this object, this very, very old seemingly mysterious object that very little of the original is showing at all. If there are any secrets that are esoteric like things buried beneath, or over, or around, they’re esoteric. That means they would be multidimensional because all of that has been surveyed technically. There’s nothing hiding in 3D here.
So why is it that there is so much energy here? Why is it that it’s so attractive to so many who want to be here and touch it and see it and be photographed with it? I will tell you this, and it is something you never thought of. Make no assumptions here of why you think it’s mysterious. It is not a spaceship. It represents the beginning of a new enlightened society.
This is the oldest relic they have representing the very beginning of those who believed in the afterlife and those who believed in Ra, a God that you believe in that the Creator is listed as. That is the Creator you see today that you understand today. This represents the beginning of all of that. That is why you are here looking at something that is truly amazing. It was the beginning. It’s ageless. There is no one who knows how old it is.
There was water here. No one knows that. Oh, there is some evidence. The Nile was closer. All manner of things were different if you were here back then. But as far as being mysterious, I will tell you the only mysterious thing is why you think it’s mysterious. It is powerful! It is amazing! It is remarkable! It is precious in what it represents. And if you are one who feels things, that’s why you’re here. To honor the beginning of a civilization 5200 years ago, right on time in the scale of the cosmos, the precession of the equinoxes and what was happening and expected.
You are sitting at the same juncture. What are you going to build that someday someone will find? What if it isn’t physical at all? What if it has to do with the compassionate government, the first one of its kind? What if it is more than that? What if it’s inventions that will feed humanity, the first of their kind? That is all in the scope of the next years on this planet, and you are here to celebrate the first one you’re looking at and to be here to be within the second one as it starts.
This is what I wanted to tell you. And so it is.
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